The influence of Randall-Page, alongside Brancusi and Isamu Noguchi, is legible in a practice built around fluid abstract forms in Kilkenny limestone, Ancaster Weatherbed, Carrara marble, and bronze, the latter cast at the Pangolin Foundry in Gloucestershire. Working without drawings, he develops each piece entirely by eye, the forms suggesting seeds, embryos, and the quiet geometries of the natural world. He lives and works in Devon.